Ride Lonesome

 

Ride Lonesome (1959)

A Handsome, Lean Saturday Matinee Classic

★★★☆☆

Watched 27 Jan 2025 — A masterclass in minimalist Western filmmaking that turns a low budget into a riveting morality tale.

Directed by the legendary Budd Boetticher and starring the stoic Randolph Scott, Ride Lonesome is a lean, expertly crafted action yarn. The story follows a bounty hunter escorting a violent prisoner through a landscape filled with characters harboring their own hidden agendas. Known for his briskly paced "Ranown" cycle of Westerns, Boetticher creates a film that alternates seamlessly between thrilling action and talky dialogue. It is a work that captures the cozy nostalgia of a Saturday matinee while delivering a compelling, visually engrossing experience.

"It's impressive to see how well a movie can be made and how much could be accomplished with just strong writing, open land, first class direction and a committed cast and crew."

— Ray Manukay

🎬 Cast & Crew

• Director: Budd Boetticher
• Starring: Randolph Scott, Karen Steele)
• Supporting: Pernell Roberts, [James Coburn, Lee Van Cleef
• Writer: Burt Kennedy

The Vision

Boetticher’s vision is defined by efficiency and focus. Working with screenwriter Burt Kennedy, he crafted a film for a team that knew they lacked massive financial resources but possessed a wealth of talent. The vision is "morally uncomplicated" yet capable of raising suspenseful dramatic dilemmas for its ensemble. By utilizing the open land of Lone Pine, California, as a character itself, Boetticher shares a riveting story that hearkens back to a simpler era of storytelling without sacrificing cinematic quality or dramatic weight.

🎬 Cinephile Fun Facts

• A Legend is Born: This film holds the distinction of being the feature film debut of [James Coburn](https://www.imdb.com), who immediately stands out in a supporting role.
• The Ranown Cycle: *Ride Lonesome* is one of seven acclaimed Westerns Boetticher made with Randolph Scott, all known for their [minimalist style and psychological depth](https://en.wikipedia.org).
• Saved by Criterion: Film lovers are largely indebted to the [The Criterion Collection](https://www.criterion.com) for restoring and preserving this nearly-lost gem for future generations.

✅ Pros

• Brisk, lean pacing with no wasted effort.
• Strong writing that overcomes a low budget.
• Excellent debut performance by James Coburn.

❌ Cons

• Not "groundbreaking" in terms of plot material.
• Relies on talky dialogue to stretch the budget.
• Follows a very familiar, simple Western template.

🏆 Final Verdict

A handsome Western that proves you don't need a massive budget to tell a compelling story. It holds up beautifully after all this time, offering a cozy, entertaining hearken back to a simpler age of movies.

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The Apprentice 2024

The Apprentice

A Razor-Sharp Satire of Greed and Ambition

★★★★☆

A powerfully invigorating, thought-provoking ride through the formative years of a polarizing icon.

Directed by Ali Abbasi, The Apprentice offers a gleefully one-sided and unflattering look at the business origins of Donald Trump (Sebastian Stan) under the notorious tutelage of Roy Cohn (Jeremy Strong). Eschewing the shallow caricatures of late-night comedy, Abbasi delivers a biting satire with an urgent, independent vision. It is a cautionary tale of ambition run amok, painting a disturbing view of a mindset being sharpened into a tool of ruthless self-service.

"The assignment feels like it's supposed to ultimately be a cautionary tale of greed and ambition run amok and the film accomplishes that."

— Ray Manukay

🎬 Production Brief

• Director: Ali Abbasi (Holy Spider)
• Starring: Sebastian Stan, Jeremy Strong, Maria Bakalova
• Genre: Biopic / Dark Comedy / Drama
• Aesthetic: High-budget sheen meets gritty, urgent handheld vision

A Masterclass in Transformation

The film is anchored by powerhouse black comedy performances. Sebastian Stan manages a grounded, almost tragically sympathetic portrayal of Trump, while Jeremy Strong is formidable as the mentor who peels away the layers of a "hopelessly rotten" apple. While the film undeniably carries an agenda in its depiction of the 45th and 47th President, it stands primarily as a very amusing and invigorating piece of cinema that earned its place in the awards season conversation.

💡 Cinephile Fun Facts

• Cannes Premiere: The film received an 8-minute standing ovation at its world premiere at the 2024 Cannes Film Festival.
• Legal Hurdles: The production famously faced legal threats and "cease and desist" letters from the Trump campaign during its release cycle.
• Stan's Method: Sebastian Stan reportedly gained weight and studied hundreds of hours of 1970s and 80s footage to capture the specific cadence and mannerisms of the era.

✅ Pros

• Masterful acting from Stan and Strong that avoids SNL-style parody.
• Razor-sharp, painfully biting satirical script.
• Invigorating, high-energy direction from Ali Abbasi.

❌ Cons

• Maria Bakalova’s feisty Ivana Trump feels somewhat underused.
• The overtly polarizing agenda may alienate specific audiences.
• Disturbingly dark third act may be jarring for some.

🏆 Final Verdict

A good movie is a good movie, and The Apprentice is a really good one. It is a powerful, amuse-bouche of historical friction that proves no portrait of a polarizing figure can truly be neutral—but it can certainly be brilliant.

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Emilia Pérez 2024

Emilia Pérez

An Innovative and Operatic Musical Drama

★★★☆☆

A highly stylized affair that boldly challenges conventions and breaks new ground in the genre.

Directed by Jacques Audiard, Emilia Pérez is an operatic journey that navigates the unlikely intersection of Mexican drug cartels and gender affirmation. Zoe Saldaña delivers a standout performance as an ambitious lawyer caught in the orbit of a cartel leader seeking a new life. This is a film that demands a high degree of "buy-in" from the audience, leaning heavily into its heightened, stylized reality and Spanish-language musical numbers.

"The film should be viewed as a cinematic opera... the performances and situations are bigger than life, and shouldn't be viewed as dramatically realistic."

— Ray Manukay

🎬 Production Brief

• Director: Jacques Audiard
• Starring: Zoe Saldaña, Karla Sofía Gascón, Selena Gomez
• Language: Spanish
• Genre: Musical / Crime Drama / Comedy

Visceral Style Over Melodic Hook

Audiard deserves appreciation for the visceral energy and distinctive style displayed throughout the runtime. The film features eccentric musical numbers with undeniable visual flair, though the songs themselves lack melodic catchiness and the singing voices are not particularly memorable. While it avoids being an authentic representation of Mexican culture, it succeeds as a storybook backdrop for over-the-top drama and surprising comedic moments.

💡 Cinephile Fun Facts

• Cannes History: The entire female ensemble (Gascón, Saldaña, Gomez, and Adriana Paz) collectively won the Best Actress award at the 2024 Cannes Film Festival.
• Historic Lead: Karla Sofía Gascón became the first openly trans actor to win a major award at Cannes for her portrayal of the title character.
• French Connection: Despite the setting and language, the film was largely shot on soundstages in Paris, emphasizing its "operatic" and artificial nature.

✅ Pros

• Strong, award-winning ensemble performances led by Zoe Saldaña.
• Innovative, genre-defying premise that breaks new ground.
• Distinctive visual flair and high visceral energy.

❌ Cons

• Musical numbers lack melodic "hooks" and are not very memorable.
• Cultural representation is arguably superficial or "storybook."
• Highly stylized tone may alienate viewers seeking realism.

🏆 Final Verdict

A notable and unique curio of 2024. While I stop short of calling it a "great" movie, Emilia Pérez is an undeniable cinematic experiment that earns kudos for its bravery and style. Only time will tell if it becomes a classic or a forgotten novelty.

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The Great Waldo Pepper

 

The Great Waldo Pepper (1975)

A Romantic Meditation on the Death of Individualism

★★★★☆

Watched 25 Jan 2025 — A misunderstood masterpiece that captures the tragedy of dreamers in a world turning toward realism.

Directed by George Roy Hill, The Great Waldo Pepper is a deeply personal meditation disguised as an aviation action film. Robert Redford stars as Waldo, a WWI survivor struggling to find his place in a post-war society that has no room for his reckless romanticism. Built on the foundation of a lie regarding a legendary dogfight, Waldo’s journey toward redemption and honor forces him to confront a changing landscape that demands conformity. It is a film that has matured with age, shedding its reputation as a mere curiosity to become a nuanced study of the human spirit.

"It takes place at the end of a post World War 1 era where the world was phasing out of a culture driven by dreamers and idealists and into a society of realists and bureaucrats."

— Ray Manukay

🎬 Cast & Crew

• Director: George Roy Hill
• Starring:Robert Redford, Bo Svenson
• Supporting: Susan Sarandon, Geoffrey Lewis, Edward Herrmann
• Screenplay: William Goldman

The Vision

Hill’s vision explores the weighty theme of the death of individualism, a far cry from the "feel-good" commercialism of The Sting. He relies on stunning practical effects and authentic flying stunt work, creating aerial sequences that remain breathtaking even by modern standards. By adding a societal thematic layer to a period action yarn, Hill elevates the story into a legitimate film classic. It is a quixotic, quixotic exploration of honor and authenticity in a world increasingly governed by bureaucrats, demanding to be seen by dreamers and cinephiles alike.

🎬 Cinephile Fun Facts

• No Strings Attached: The film is famous for its [real aerial stunts](https://en.wikipedia.org), with Robert Redford and Bo Svenson actually standing on the wings of biplanes in flight without safety harnesses.
• The Hill/Redford Trilogy: This marked the final collaboration between George Roy Hill and Robert Redford, following their massive hits [Butch Cassidy and the Sundance Kid](https://www.imdb.com) and [The Sting](https://www.imdb.com).
• Director's Passion: George Roy Hill was himself a pilot during WWII and the Korean War, which contributed to the film's meticulous technical accuracy and "personal" emotional resonance.

✅ Pros

• Breathtaking practical effects and real flying stunts.
• Weighty, nuanced themes regarding the death of individualism.
• One of Redford's most romantic and reckless performances.

❌ Cons

• Tone can feel cynical compared to other Hill/Redford films.
• Was originally dismissed as a commercial disappointment.
• Weighty thematic layers may feel heavy for casual viewers.

🏆 Final Verdict

A legitimate film classic that deserves a place alongside Hill's most famous works. It is a stunning, heartfelt tribute to the dreamers of a bygone era, anchored by practical filmmaking that puts modern CGI to shame.

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The Last Run

 

The Last Run (1971)

A Brisk, Elegant Hidden Gem of the 70s

★★★☆☆

Watched 24 Jan 2025 — An elegant thriller anchored by George C. Scott's heavy star power and top-notch practical action.

Directed by Richard Fleischer, The Last Run is one of those brisk, elegant thrillers that define the special landscape of 1970s cinema. Fleischer took over the project after legendary director John Huston left over creative differences with star George C. Scott. The film's minimalist, no-nonsense approach allows a simple story to unfold without distracting artistic flourishes, focusing instead on the gritty reality of a retired getaway driver's "one last job". While it utilizes familiar crime tropes—the world-weary veteran, the young gun, and the smart but unfaithful dame—the film remains a riveting thrill ride that has aged surprisingly well.

"The Last Run is one of those brisk, elegant, thriller movies which made the 1970's film landscape so special... It's this minimalist approach, which helps the movie age surprisingly well."

— Ray Manukay

🎬 Cast & Crew

• Director: Richard Fleischer
• Starring: George C. Scott), Tony Musante, Trish Van Devere
• Supporting: Colleen Dewhurst, Aldo Sambrell
• Cinematography: Sven Nykvist
• Music: Jerry Goldsmith

The Vision

Fleischer’s vision for the film is workmanlike and no-frills, a stark contrast to the more experimental or auteur-driven works of the era. By letting the story speak for itself, he highlights the practical effects and the sheer magnetism of George C. Scott's performance. The artistic vision is one of "Hemingway-esque" existentialism, where the characters' fate is as meticulously tuned as the protagonist's vintage BMW. Despite being a commercial disappointment upon release, its commitment to a lean, melancholy atmosphere has earned it a nuanced re-evaluation as a cult classic.

🎬 Cinephile Fun Facts

• Real-Life Romance: This film marked the first meeting of George C. Scott and [Trish Van Devere](https://www.imdb.com); the pair fell in love on set and eventually married.
• Bergman's Lens: The film's striking visual style is courtesy of [Sven Nykvist](https://www.imdb.com), the frequent cinematographer for Ingmar Bergman, marking his first major-studio feature.
• Vintage Muscle: Harry Garmes’ iconic vehicle is a customized [1956 BMW 503 Cabriolet](https://www.imdb.com), which Scott's character dotes on like a family doctor.

✅ Pros

• Riveting, hard-as-nails performance by George C. Scott.
• Top-notch practical action and high-speed car chases.
• Gorgeous European location photography by Sven Nykvist.

❌ Cons

• Reliance on familiar, sometimes predictable crime tropes.
• Characters can feel cold or cynical, making them hard to root for.
• Pacing may feel slow in filler sequences before the main action.

🏆 Final Verdict

A "great nothing film" in the best possible way—dry, wisely written, and beautifully shot. While it may have been a disappointment in 1971, it stands today as a must-see hidden gem for fans of gritty, minimalist 70s cinema.

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Hennessy

 

Hennessy (1975)

A Slow-Burn Thriller of Singular Obsession

★★★☆☆

Watched 24 Jan 2025 — A curiously entertaining 70s thriller anchored by an engrossing, simmering performance from Rod Steiger.

Directed by Don Sharp, Hennessy follows a former IRA member on a personal vendetta against the British Parliament following a tragic family loss. Rod Steiger, one of cinema's most underrated anchors, believably carries the weight of a grief-stricken husband and father. Eschewing the tropes of a traditional action star, his Hennessy is driven by an uncompromising, singular focus rather than hand-to-hand combat. As Scotland Yard and the IRA close in, the film ratchets up the tension through a stealthy, purposeful maneuver toward a high-stakes climax.

"Steiger works great as an everyman in extreme situations looking to repay injustices... driven by his uncompromising, singular focus, rather than his hand to hand fighting skills."

— Ray Manukay

🎬 Cast & Crew

• Director: [Don Sharp](https://www.imdb.com)
• Starring: [Rod Steiger](https://www.imdb.com), Lee Remick, Richard Johnson
• Supporting: Trevor Howard, Eric Porter, Peter Egan
• Cinematography: Ernest Steward

The Vision

Don Sharp’s directorial vision excels in its gritty realism, particularly in the seamless integration of real-life footage of the British Parliament during the third act. The film's strength lies in its psychological pacing—reminiscent of John Malkovich’s obsessed assassin in In the Line of Fire—where the protagonist’s instability is his most dangerous weapon. While the film embraces the "disillusioned lone victim" genre popular in the 70s, it focuses on the meticulous execution of a plan rather than explosive set pieces, creating a curiously effective, if uncomplicated, character study.

🎬 Cinephile Fun Facts

• The Parliament Controversy: The film gained notoriety for using [actual footage of Queen Elizabeth II](https://en.wikipedia.org) opening Parliament, which led to a temporary ban by the BBFC due to the sensitive nature of the plot.
• Underrated Giant: Lead [Rod Steiger](https://www.imdb.com) was a Method acting pioneer, known for holding his own against legends like Marlon Brando and Sidney Poitier.
• Genre Veteran: Director Don Sharp was a staple of British genre cinema, frequently working with [Hammer Film Productions](https://www.imdb.com) before transitioning to thrillers like this one.

✅ Pros

• Engrossing, everyman performance by Rod Steiger.
• Excellent use of real-life archival footage.
• Strong, slow-burn tension throughout the narrative.

❌ Cons

• Abrupt ending that may feel less satisfying than the buildup.
• Relatively uncomplicated plot compared to modern political thrillers.
• Lacks the "movie star" action sequences some may expect.

🏆 Final Verdict

A well-executed example of the 70s lone-victim thriller. While the ending hits a bit abruptly, the meticulous slow-build and Steiger's simmering intensity make it a hidden gem worthy of recognition.

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Nosferatu 2025

Nosferatu

A Dreary, Deathly, and Methodical Reimagining

★★★½☆

A handsome, visually striking production that feels refreshingly modern yet deathly faithful.

Directed by the visionary Robert Eggers, Nosferatu is the latest adaptation of Bram Stoker's classic tale. Decades removed from the versions by Coppola, Herzog, and Murnau, Eggers offers an energetic take that drains the lush gothic opera of the past in favor of a morbid, joyless, and deathly palette. It is a production that favors the chaos of a period plague—rampant rats, black blood, and decaying bodies lining the cobblestone streets.

"Eggers drains the film of most of the color palette, creating a dreary, morbid, joyless, deathly affair... it hearkens back to Isabelle Adjani's disturbing performance in Possession."

— Ray Manukay

🎬 Vampire Chronicles

• Director: Robert Eggers (The Witch, The Northman)
• Count Orlok: Bill Skarsgård
• Ellen Hutter: Lily-Rose Depp
• Thomas Hutter: Nicholas Hoult
• Cinematography: Jarin Blaschke

Modernized Gender Politics

While the film is faithful to the original material almost to a fault, it distinguishes itself by leaning into the gender politics and sexual dynamics of the period setting. Lily-Rose Depp turns in an unhinged, standout performance, while Bill Skarsgård provides a creepy and disturbing title character. The result is a film that feels vital and urgent, adding a strong, eerie atmosphere to the long canon of Dracula adaptations.

💡 Cinephile Fun Facts

• Skarsgård's Transformation: Bill Skarsgård reportedly spent six hours in the makeup chair daily and worked with an opera singer to lower his voice by an octave.
• Eggers' Obsession: Robert Eggers has called Nosferatu his dream project, having directed a stage play of the story in his senior year of high school.
• The Herzog Link: Eggers utilized several filming locations in the Czech Republic that echoed the atmosphere of Werner Herzog's 1979 version.

✅ Pros

• Breathtakingly eerie atmosphere and morbid production design.
• Powerful, "unhinged" performances from Depp and Skarsgård.
• Refreshing focus on the sexual dynamics and gender politics of the era.

❌ Cons

• Faithful to the original beats almost to a fault.
• Dreary and joyless tone may be too oppressive for some.

🏆 Final Verdict

A strong and visually striking addition to the vampire canon. While the tale is familiar, the unique variances and disturbing visuals make Nosferatu feel like a vital piece of modern horror cinema.

View original review on Letterboxd

The Return

The Return

A Somber, Slow-Burn Deconstruction of Homeric Myth

★★★☆☆

An intellectually earnest wringer that trades mythic poetry for gritty PTSD.

Directed by Uberto Pasolini, The Return is a grounded, psychological retelling of Odysseus’s homecoming. Stripping away the gods and monsters of The Odyssey, the film functions as a serious drama focused on the trauma of war. While it boasts powerhouse performances from Ralph Fiennes and Juliette Binoche, its deliberate pace and lack of humor make it a challenging watch for those seeking a traditional epic.

"The Return can be a frustrating watch as it builds at its deliberate pace... It's so dark that some audiences might feel the movie feels pretentious, especially in the first half which is mostly about setting the scene."

— Ray Manukay

🎬 Cast & Crew

• Director: Uberto Pasolini
• Starring: Ralph Fiennes, Juliette Binoche
• Source Material: Homer's The Odyssey
• Atmosphere: Stark, bleak, and theater-esque

The Vision

There is a palpable earnestness toward the material which is admirable, especially for fans of classic theatre. However, the movie sorely lacks any humor or joy in its exceedingly bleak story. By focusing heavily on the post-war depression and PTSD of Odysseus, Pasolini risks alienating viewers who expect the "colorful poetry" of the original Bard. It is a film that demands patience, as things only begin to ramp up in the second half.

🎬 Cinephile Fun Facts

• Iconic Reunion: This marks the first time Ralph Fiennes and Juliette Binoche have shared the screen since The English Patient (1996).
• Grounded Myth: Director Pasolini intentionally removed all supernatural elements (gods, sirens, witches) to focus on the human cost of the Trojan War.
• Filming Locations: The production utilized stunning, stark landscapes in Greece to mirror the emotional isolation of the characters.

✅ Pros

• Masterclass acting from Fiennes and Binoche.
• Sincere, respectful approach to classic literature.
• Strong emotional catharsis during the action ramp-up.

❌ Cons

• Frustratingly slow, "deliberate" pacing.
• Lacks narrative balance or any sense of joy.
• Can feel pretentious during the scene-setting first half.

🏆 Final Verdict

A slow burn best suited for literature classrooms rather than a fun night in with friends. Watch it for the performances, but be prepared for the gloom.

View original review on Letterboxd

Sonny and Jed

 

Sonny and Jed (1972)

A Wild, Gleefully Flawed Exploitation Ride

★★★☆☆

Watched 15 Jan 2025 — A frenetic, comedic Spaghetti Western that swaps Corbucci's usual nihilism for unpolished, chaotic charm.

Directed by Sergio Corbucci, Sonny and Jed (La banda J. & S. - Cronaca criminale del Far West) is a wild departure from his bloodier, nihilistic roots. Starring Tomas Milian as the uncouth Jed and Susan George as the affable Sonny, the film functions as a tale of two halves: part unorthodox bickering love story, part Bonnie and Clyde-style crime spree. While it lacks the narrative sheen of a Leone epic, its frenetic exploitation energy and improvisational feel make it a standout for fans of the genre's rougher edges.

"Tomas Milan's Jed stumbles around creating chaos like a wild bull... Meanwhile Telly Savalas turns in a menacing, but surprisingly sympathetic performance of a straight laced sheriff having to deal with these two feral-like town disrupters."

— Ray Manukay

🎬 Cast & Crew

• Director: Sergio Corbucci
• Starring: Tomas Milian, Susan George,Telly Savalas
• Music: Ennio Morricone
• Cinematography: Luis Cuadrado

The Vision

Corbucci embraces a collaborative, almost spontaneous vision here, utilizing abrupt cuts and set pieces that feel thought of "right on the spot." By leaning into the comedic and sexist banter of the period, he creates a "popcorn entertainment" vibe that relies heavily on the magnetic performance of Susan George. The film uses its obviously low budget as a strength, fostering a creative energy that asks the audience to forgive its unpolished transitions in exchange for a fun, different experience that has earned it fans like Quentin Tarantino.

🎬 Cinephile Fun Facts

• Morricone Magic: Despite the film's gritty, low-budget feel, it features a score by the legendary [Ennio Morricone](https://www.imdb.com), including the famous whistling theme "Sonny."
• Tarantino's Approval: Quentin Tarantino famously referenced Corbucci's work in *Django Unchained* and has frequently cited [Sonny and Jed](https://tarantino.info) as a personal favorite of the genre.
• International Appeal: Susan George was at the height of her fame following [Straw Dogs (1971)](https://www.imdb.com), and her presence helped the film find significant success in international markets.

✅ Pros

• Magnetic and beautiful performance by Susan George.
• Frenetic, high-energy exploitation feel.
• Telly Savalas adds weight as a sympathetic antagonist.

❌ Cons

• Unpolished narrative structure and abrupt transitions.
• Dialogue and humor can feel very dated/inappropriate.
• Lacks the artistic "sheen" of Corbucci's masterpieces like *Django*.

🏆 Final Verdict

Far from a classic, but a gleefully flawed ride nonetheless. If you're in the mood for something different that showcases what talented actors can do with a low budget and a desire to entertain, give this a spin.

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The Fool Killer

 

The Fool Killer (1965)

A Haunting, Dreamlike Post-Civil War Odyssey

★★★½☆

Watched 15 Jan 2025 — A unique, hard-to-find gem that captures the simmering tension and brutality of an undeveloped world.

Directed by Servando González, The Fool Killer is an odd, dreamlike film that follows a 12-year-old runaway escaping an abusive foster home. Set in the post-Civil War era, the movie evokes the eerie tone of an extended Twilight Zone episode, minus the supernatural elements. Its episodic structure—marked by unusual montages and strange vocalized inner monologues—creates an uneasy energy. While it occasionally meanders, the film finds its footing and crystallizes its themes upon the introduction of a PTSD-afflicted soldier, leading to a truly surprising payoff.

"There is a feeling of uneasiness which permeates the film as it probably should. A character being 12 years old in a brutal world should feel like they are in danger."

— Ray Manukay

🎬 Cast & Crew

• Director: Servando González
• Starring: Anthony Perkins, Edward Albert
• Supporting: Dana Elcar, Henry Hull, Salome Jens
• Cinematography: Alex Phillips Jr.

The Vision

González’s vision is far from the whimsy of Huckleberry Finn; instead, he leans into a stark, brutal reality captured in simmering black and white. The direction and cinematography are surprisingly strong, amplifying the sense of danger that lurks around every corner for the young protagonist. The filmmaker intentionally fosters a sense of unease, utilizing the protagonist's inner monologues to heighten the film's "odd energy." It is a unique piece of cinema that explores the vulnerability of youth in a violent, undeveloped landscape.

🎬 Cinephile Fun Facts

• Edward Albert's Debut: This film marked the professional debut of [Edward Albert](https://www.imdb.com), who would later go on to win a Golden Globe for Butterflies Are Free.
• The Perkins Connection: Anthony Perkins took this role shortly after his iconic turn in Psycho, continuing his streak of playing deeply troubled, psychologically complex characters.
• Literary Roots: The film is based on the [1954 novel by Helen Eustis](https://en.wikipedia.org), which was praised for its unique blend of Southern Gothic and coming-of-age themes.

✅ Pros

• Strong, atmospheric black-and-white cinematography.
• Powerful, thematic performance by Anthony Perkins.
• A unique, rewarding payoff and dreamlike tone.

❌ Cons

• Occasional pacing issues and meandering plot.
• Moments that feel "inappropriate" by modern standards.
• Very difficult to find on modern streaming platforms.

🏆 Final Verdict

An off-the-beaten-path recommendation for those seeking something haunting and distinctive. It’s a "hard to find gem" that balances simmering tension with a surprising, thought-provoking conclusion.

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Rage 1972

 

Rage (1972)

A Brisk, Infuriating Tale of Bureaucratic Corruption

★★★☆☆

Watched 13 Jan 2025 — A satisfying thriller that channels raw grief into a vengeful strike against institutional indifference.

Directed by and starring George C. Scott, Rage is a film that lives up to its title. Loosely based on the harrowing real-life [Dugway sheep incident](https://en.wikipedia.org), the story follows a rancher seeking justice after a military nerve gas accident claims his son's life. Scott pulls double duty here, delivering a powerhouse performance that showcases a parent's fury and grief. While the film occasionally leans into exploitation territory, it remains a piercing illustration of how government bureaucracy can dissolve into corruption when safeguarding its own interests over the people it claims to protect.

"The movie illustrates how government bureaucracy can dissolve into corruption when safeguarding their own interests... It’s not hard to see why Scott was drawn to the material, as it gave him the chance to showcase a parent's fury and grief."

— Ray Manukay

🎬 Cast & Crew

• Director: George C. Scott
• Starring: George C. Scott, Richard Basehart
• Supporting: Martin Sheen, Barnard Hughes, Nicolas Coster
• Cinematography: Fred J. Koenekamp

The Vision

Scott’s directorial vision is grit-heavy and emotionally charged, clearly influenced by the cynical sociopolitical climate following Vietnam. He focuses on the "eerie quiet" of the Utah landscape to build tension, though he occasionally allows the era’s melodramatic musical themes to intrude on the atmosphere. The film's strength lies in its "briskly paced" final act, where the working-class protagonist's plight turns into a thrilling pursuit of accountability. Scott isn't aiming for awards-season polish; he knows exactly what the audience wants—a visceral, satisfying outlet for collective anger against cold institutional indifference.

🎬 Cinephile Fun Facts

• Directorial Debut: *Rage* marked George C. Scott's [first time in the director's chair](https://en.wikipedia.org) for a feature film, a role he took very seriously to ensure the story's emotional core remained intact.
• Martin Sheen Connection: A young [Martin Sheen](https://www.imdb.com) appears in a supporting role, just a year before his breakout performance in *Badlands*.
• Reality vs. Fiction: While the film depicts human casualties, the actual 1968 Dugway incident primarily resulted in the deaths of over 6,000 sheep, though it sparked massive public outcry regarding chemical weapons testing.

✅ Pros

• Powerhouse emotional performance by George C. Scott.
• Thrilling, satisfying, and briskly paced final act.
• Effective social commentary on military/political indifference.

❌ Cons

• Abrupt ending typical of early 70s cinema.
• Melodramatic soundtrack styles that haven't aged well.
• Occasional dips into pure exploitation movie mode.

🏆 Final Verdict

A visceral and gritty exploration of grief-turned-vengeance. While it suffers from some era-specific technical choices, the raw power of Scott's performance and the urgency of its message make it a rewarding, if infuriating, watch.

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Terrifier 3

Terrifier 3

A Bold, Biblical Evolution of the Splatter Slasher

★★★☆☆

Arguably the best entry yet, balancing industrial-scale gore with a surprising theological depth.

Director Damien Leone (often mistakenly cited as Damien Lewis) has upped the ante in Terrifier 3, evolving Art the Clown from a mere serial killer into a demonic force of nature. The film marks a significant step forward for the franchise, injecting a clearer, "meaty" narrative that transforms Sienna Shaw into a legitimate hero. While the trademark "blood and guts" remain, Leone uses the Christmas setting to frame a classic morality tale of pure good versus ultimate evil, complete with bold religious imagery.

"Damien Leone could have just been content with masked-killer-slayer-film-tributes. But he clearly has something worthwhile to say now about enduring the trials of evil and the benefits of redemptive suffering."

— Ray Manukay

🎬 Cast & Crew

• Director/Writer: Damien Leone
• Starring: Lauren LaVera (Sienna), David Howard Thornton (Art the Clown)
• Key Supporting: Samantha Scaffidi (Victoria), Daniel Roebuck (Santa)
• Budget: $2 Million (independently financed)

The Vision

The film is a fascinating development that incorporates "comic book elements" and explicit religious allegories, such as Sienna wearing a crown of thorns while battling Art. Leone's decision to keep the production independent allowed him to maintain an uncompromising vision that a major studio would likely have censored. It is a high-stakes gamble that risks turning off pure slasher fans by instilling a clear morality, yet it paves the way for a potentially special conclusion to the franchise.

🎬 Cinephile Fun Facts

• Legendary Help: Makeup icon John Caglione Jr. (The Joker in The Dark Knight) worked on this film after being a fan of the first two.
• Box Office History: It became the highest-grossing unrated film of all time, earning over $90 million worldwide.
• Physical Reaction: The UK premiere reportedly had staff handing out barf bags, with multiple reports of audience members fainting or walking out.
• Literary Nod: A character is seen reading a book titled "The 9th Circle," a reference to Art’s first appearance in Leone's short film of the same name.

✅ Pros

• Sienna Shaw's development into a powerful, deep hero.
• Masterclass in creative practical special effects.
• Compelling introduction of supernatural and religious lore.

❌ Cons

• Extreme "gross out" violence can be grueling.
• Story beats remain incremental and "to be continued".
• Religious messaging might alienate some core slasher fans.

🏆 Final Verdict

A relentless, industrial-strength slasher that successfully pivots into mythic territory. Terrifier 3 proves that mayhem and murder can actually mean something when backed by an ambitious vision.

View original review on Letterboxd

A Different Man

A Different Man

A Darkly Comic Exploration of Identity and the "Cure"

★★★½☆

An unconventional morality tale that finds the sweet spot between black comedy and dramatic realism.

Directed by Aaron Schimberg, A Different Man is a thought-provoking deconstruction of the "be careful what you wish for" trope. The plot follows Edward (Sebastian Stan), a man with neurofibromatosis who undergoes an experimental procedure to transform his appearance. While the film shares thematic DNA with the body-horror of The Substance, it avoids grotesque extremes in favor of an ironic, surreal look at how our insecurities often run deeper than the skin. The addition of the charismatic Oswald (Adam Pearson) creates a fascinating contrast that hammers home the idea that happiness is truly in the eye of the beholder.

"Of course life doesn't really give a happily-ever-after like it does in fairy tales. And the so called cure reveals the real underlying issues in his life as well as creating new challenges."

— Ray Manukay

🎬 Cast & Crew

• Director/Writer: Aaron Schimberg
• Starring: Sebastian Stan, Renate Reinsve, Adam Pearson
• Studio: A24
• Runtime: 112 minutes

The Vision

Director Aaron Schimberg, who was born with a cleft palate, brings a deeply personal perspective to this exploration of facial difference and representation. By casting Adam Pearson, who has neurofibromatosis in real life, alongside Sebastian Stan in prosthetics, Schimberg interrogates the optics of disability in cinema. The film masterfully balances its "dark comedy" roots with a "dramatic realism" that keeps the plot from going entirely off the rails, even during its more surreal and ironic developments.

🎬 Cinephile Fun Facts

• Award-Winning Performance: Sebastian Stan won the **Silver Bear for Best Leading Performance** at the Berlin International Film Festival for this role.
• Personal Touch: A photo seen in Edward's apartment is actually a real-life picture of Sebastian Stan and his mother.
• Fast Filming: Despite its complex themes, the movie was shot in just **22 days** in New York City.
• Critical Darling: The film won **Best Feature** at the 2024 Gotham Awards, pulling an upset over the highly favored *Anora*.

✅ Pros

• Powerhouse, award-winning lead from Sebastian Stan.
• Adam Pearson's magnetic and charismatic presence.
• Smart, unconventional script that avoids clichés.

❌ Cons

• Final act developments may feel jarringly surreal for some.
• Tends toward "dark and cynical" tones that aren't for everyone.
• Shares some "unsettling" territory with body-horror peers.

🏆 Final Verdict

A brilliantly acted, wickedly funny look at self-perception. It proves that changing your face is easy, but escaping yourself is the real challenge.

View original review on Letterboxd

Alien Romulus

Alien: Romulus

A Visceral, Nostalgic Interquel That Honors the Roots

★★★☆☆

A game attempt at re-invigoration that succeeds in craft but stumbles on franchise tropes.

Directed by horror maestro Fede Álvarez, Alien: Romulus attempts to bridge the gap between the original 1979 masterpiece and its action-heavy 1986 sequel. The film is aesthetically handsome, utilizing physical sets and practical effects to capture the "oil rig in space" grit of the first entry. While Cailee Spaeny delivers a charismatic performance as Rain Carradine, the film struggles to make us care for the rest of the "dead meat" crew. It hits high notes with innovative set pieces, but occasionally feels weighed down by the "tired and worn out" tropes of a 45-year-old franchise.

"Alvarez really succeeds by elevating the material with his new concepts... Stand out moments include a zero gravity action sequence and a truly disturbing third act nemesis that will legitimately give some viewers nightmares."

— Ray Manukay

🎬 Cast & Crew

• Director: Fede Álvarez
• Starring: Cailee Spaeny, David Jonsson, Archie Renaux
• Cinematography: Galo Olivares
• Production Design: Naaman Marshall

The Vision

Álvarez leans heavily into "technological production design" and practical craftsmanship, even seeking out crew members from the original Aliens to ground the VFX. The film’s "zero-g" blood-combat sequence and the introduction of a new cross-species abomination prove there is still "mileage left in these monsters." However, the reliance on familiar chest-bursting shocks and "classic lines" keeps the film from reaching a "truly special" status, serving more as a high-quality tribute than a total reinvention.

🎬 Cinephile Fun Facts

• Practical Nightmares: The terrifying "Offspring" in the final act was played by 7'7" Romanian basketball player **Robert Bobroczkyi** in a suit.
• Gaming Influence: Álvarez included "Emergency" save phones as an Easter egg to the 2014 game *Alien: Isolation*, which he used as a tonal reference point.
• Legacy Consult: Both **Ridley Scott** and **James Cameron** were consulted during production and gave the film their approval.
• Timeline Fix: The film is an "interquel," taking place in 2142—exactly 20 years after the original *Alien* and 37 years before *Aliens*.

✅ Pros

• Innovative Zero-G action choreography.
• Stunning, practical creature and production design.
• A "truly disturbing" and memorable third-act climax.

❌ Cons

• "Tired and worn out" franchise tropes.
• Supporting characters feel like "collective dead meat."
• Lacks the "shock value" of earlier entries.

🏆 Final Verdict

A handsomely crafted return to form that serves as a visceral bridge for the franchise. It’s an effective horror experience that just needs a bit more soul in its secondary characters.

View original review on Letterboxd

Terrifier 2

Terrifier 2

An Overstuffed, Brutal Marathon of Practical Gore

★★½☆☆

A grueling endurance test of realistic effects that struggles under a massive runtime.

Art the Clown returns in a sequel that leans heavily into supernatural lore, involving mystical swords and a demonic "Little Pale Girl." While director Damien Leone (again, often cited as Lewis) attempts to inject narrative prestige with a massive 138-minute runtime, the film mostly serves as a canvas for "top-notch" morbid and brutal special effects. The introduction of Lauren LaVera as Sienna provides an intriguing anchor to the carnage, but the experience ultimately feels like it’s missing the energy of a "midnight movie" crowd to truly land its grotesque appeal.

"The truth is most horror fans probably just want to fast forward all the story stuff just to get to the gory parts to analyze and dissect the special effects. As for my excuse, I wanted to complete part 2 to get to the viral much buzzed about part 3."

— Ray Manukay

🎬 Cast & Crew

• Director/Writer/Editor: Damien Leone
• Starring: Lauren LaVera, David Howard Thornton, Elliott Fullam
• Runtime: 2h 18m
• Genre: Supernatural Slasher / Splatter

The Vision

Leone expands the Terrifier universe by transitioning Art from a human killer to a demonic entity with "unique torture porn" sequences that push the boundaries of the genre. By centering the story on Sienna, Leone creates a "franchise heroine" who can match Art's visceral presence. However, the film's "ridiculous" length risks alienating those who aren't specifically there to analyze the technical artistry of the "grotesque dismantling" of the human form.

🎬 Cinephile Fun Facts

• Crowdfunded Success: The film's $250,000 budget was largely raised via Indiegogo, proving the massive underground following of the franchise.
• Sienna's Design: The protagonist's iconic "Valkyrie" costume was designed by Damien Leone himself and hand-crafted by Lauren LaVera.
• Viral Phenomenon: The film became a sleeper hit after reports of audience members vomiting and fainting in theaters went viral.
• The Bedroom Scene: The film's most infamous sequence reportedly took over a week to film due to the complexity of the practical effects.

✅ Pros

• Lauren LaVera's breakout performance as Sienna.
• Industry-leading practical gore and special effects.
• Elevates the "Art the Clown" mythos into something bigger.

❌ Cons

• Exceedingly long "ridiculous" runtime.
• Story beats can feel like filler between kills.
• Tough to recommend for anyone but hardcore gore-hounds.

🏆 Final Verdict

A technical triumph for practical effects fans that overstays its welcome narrative-wise. It is a mandatory, if exhausting, bridge to the superior third chapter.

View original review on Letterboxd