Sonny and Jed

 

Sonny and Jed (1972)

A Wild, Gleefully Flawed Exploitation Ride

★★★☆☆

Watched 15 Jan 2025 — A frenetic, comedic Spaghetti Western that swaps Corbucci's usual nihilism for unpolished, chaotic charm.

Directed by Sergio Corbucci, Sonny and Jed (La banda J. & S. - Cronaca criminale del Far West) is a wild departure from his bloodier, nihilistic roots. Starring Tomas Milian as the uncouth Jed and Susan George as the affable Sonny, the film functions as a tale of two halves: part unorthodox bickering love story, part Bonnie and Clyde-style crime spree. While it lacks the narrative sheen of a Leone epic, its frenetic exploitation energy and improvisational feel make it a standout for fans of the genre's rougher edges.

"Tomas Milan's Jed stumbles around creating chaos like a wild bull... Meanwhile Telly Savalas turns in a menacing, but surprisingly sympathetic performance of a straight laced sheriff having to deal with these two feral-like town disrupters."

— Ray Manukay

🎬 Cast & Crew

• Director: Sergio Corbucci
• Starring: Tomas Milian, Susan George,Telly Savalas
• Music: Ennio Morricone
• Cinematography: Luis Cuadrado

The Vision

Corbucci embraces a collaborative, almost spontaneous vision here, utilizing abrupt cuts and set pieces that feel thought of "right on the spot." By leaning into the comedic and sexist banter of the period, he creates a "popcorn entertainment" vibe that relies heavily on the magnetic performance of Susan George. The film uses its obviously low budget as a strength, fostering a creative energy that asks the audience to forgive its unpolished transitions in exchange for a fun, different experience that has earned it fans like Quentin Tarantino.

🎬 Cinephile Fun Facts

• Morricone Magic: Despite the film's gritty, low-budget feel, it features a score by the legendary [Ennio Morricone](https://www.imdb.com), including the famous whistling theme "Sonny."
• Tarantino's Approval: Quentin Tarantino famously referenced Corbucci's work in *Django Unchained* and has frequently cited [Sonny and Jed](https://tarantino.info) as a personal favorite of the genre.
• International Appeal: Susan George was at the height of her fame following [Straw Dogs (1971)](https://www.imdb.com), and her presence helped the film find significant success in international markets.

✅ Pros

• Magnetic and beautiful performance by Susan George.
• Frenetic, high-energy exploitation feel.
• Telly Savalas adds weight as a sympathetic antagonist.

❌ Cons

• Unpolished narrative structure and abrupt transitions.
• Dialogue and humor can feel very dated/inappropriate.
• Lacks the artistic "sheen" of Corbucci's masterpieces like *Django*.

🏆 Final Verdict

Far from a classic, but a gleefully flawed ride nonetheless. If you're in the mood for something different that showcases what talented actors can do with a low budget and a desire to entertain, give this a spin.

View on Letterboxd

The Fool Killer

 

The Fool Killer (1965)

A Haunting, Dreamlike Post-Civil War Odyssey

★★★½☆

Watched 15 Jan 2025 — A unique, hard-to-find gem that captures the simmering tension and brutality of an undeveloped world.

Directed by Servando González, The Fool Killer is an odd, dreamlike film that follows a 12-year-old runaway escaping an abusive foster home. Set in the post-Civil War era, the movie evokes the eerie tone of an extended Twilight Zone episode, minus the supernatural elements. Its episodic structure—marked by unusual montages and strange vocalized inner monologues—creates an uneasy energy. While it occasionally meanders, the film finds its footing and crystallizes its themes upon the introduction of a PTSD-afflicted soldier, leading to a truly surprising payoff.

"There is a feeling of uneasiness which permeates the film as it probably should. A character being 12 years old in a brutal world should feel like they are in danger."

— Ray Manukay

🎬 Cast & Crew

• Director: Servando González
• Starring: Anthony Perkins, Edward Albert
• Supporting: Dana Elcar, Henry Hull, Salome Jens
• Cinematography: Alex Phillips Jr.

The Vision

González’s vision is far from the whimsy of Huckleberry Finn; instead, he leans into a stark, brutal reality captured in simmering black and white. The direction and cinematography are surprisingly strong, amplifying the sense of danger that lurks around every corner for the young protagonist. The filmmaker intentionally fosters a sense of unease, utilizing the protagonist's inner monologues to heighten the film's "odd energy." It is a unique piece of cinema that explores the vulnerability of youth in a violent, undeveloped landscape.

🎬 Cinephile Fun Facts

• Edward Albert's Debut: This film marked the professional debut of [Edward Albert](https://www.imdb.com), who would later go on to win a Golden Globe for Butterflies Are Free.
• The Perkins Connection: Anthony Perkins took this role shortly after his iconic turn in Psycho, continuing his streak of playing deeply troubled, psychologically complex characters.
• Literary Roots: The film is based on the [1954 novel by Helen Eustis](https://en.wikipedia.org), which was praised for its unique blend of Southern Gothic and coming-of-age themes.

✅ Pros

• Strong, atmospheric black-and-white cinematography.
• Powerful, thematic performance by Anthony Perkins.
• A unique, rewarding payoff and dreamlike tone.

❌ Cons

• Occasional pacing issues and meandering plot.
• Moments that feel "inappropriate" by modern standards.
• Very difficult to find on modern streaming platforms.

🏆 Final Verdict

An off-the-beaten-path recommendation for those seeking something haunting and distinctive. It’s a "hard to find gem" that balances simmering tension with a surprising, thought-provoking conclusion.

View on Letterboxd

Rage 1972

 

Rage (1972)

A Brisk, Infuriating Tale of Bureaucratic Corruption

★★★☆☆

Watched 13 Jan 2025 — A satisfying thriller that channels raw grief into a vengeful strike against institutional indifference.

Directed by and starring George C. Scott, Rage is a film that lives up to its title. Loosely based on the harrowing real-life [Dugway sheep incident](https://en.wikipedia.org), the story follows a rancher seeking justice after a military nerve gas accident claims his son's life. Scott pulls double duty here, delivering a powerhouse performance that showcases a parent's fury and grief. While the film occasionally leans into exploitation territory, it remains a piercing illustration of how government bureaucracy can dissolve into corruption when safeguarding its own interests over the people it claims to protect.

"The movie illustrates how government bureaucracy can dissolve into corruption when safeguarding their own interests... It’s not hard to see why Scott was drawn to the material, as it gave him the chance to showcase a parent's fury and grief."

— Ray Manukay

🎬 Cast & Crew

• Director: George C. Scott
• Starring: George C. Scott, Richard Basehart
• Supporting: Martin Sheen, Barnard Hughes, Nicolas Coster
• Cinematography: Fred J. Koenekamp

The Vision

Scott’s directorial vision is grit-heavy and emotionally charged, clearly influenced by the cynical sociopolitical climate following Vietnam. He focuses on the "eerie quiet" of the Utah landscape to build tension, though he occasionally allows the era’s melodramatic musical themes to intrude on the atmosphere. The film's strength lies in its "briskly paced" final act, where the working-class protagonist's plight turns into a thrilling pursuit of accountability. Scott isn't aiming for awards-season polish; he knows exactly what the audience wants—a visceral, satisfying outlet for collective anger against cold institutional indifference.

🎬 Cinephile Fun Facts

• Directorial Debut: *Rage* marked George C. Scott's [first time in the director's chair](https://en.wikipedia.org) for a feature film, a role he took very seriously to ensure the story's emotional core remained intact.
• Martin Sheen Connection: A young [Martin Sheen](https://www.imdb.com) appears in a supporting role, just a year before his breakout performance in *Badlands*.
• Reality vs. Fiction: While the film depicts human casualties, the actual 1968 Dugway incident primarily resulted in the deaths of over 6,000 sheep, though it sparked massive public outcry regarding chemical weapons testing.

✅ Pros

• Powerhouse emotional performance by George C. Scott.
• Thrilling, satisfying, and briskly paced final act.
• Effective social commentary on military/political indifference.

❌ Cons

• Abrupt ending typical of early 70s cinema.
• Melodramatic soundtrack styles that haven't aged well.
• Occasional dips into pure exploitation movie mode.

🏆 Final Verdict

A visceral and gritty exploration of grief-turned-vengeance. While it suffers from some era-specific technical choices, the raw power of Scott's performance and the urgency of its message make it a rewarding, if infuriating, watch.

View on Letterboxd

Terrifier 3

Terrifier 3

A Bold, Biblical Evolution of the Splatter Slasher

★★★☆☆

Arguably the best entry yet, balancing industrial-scale gore with a surprising theological depth.

Director Damien Leone (often mistakenly cited as Damien Lewis) has upped the ante in Terrifier 3, evolving Art the Clown from a mere serial killer into a demonic force of nature. The film marks a significant step forward for the franchise, injecting a clearer, "meaty" narrative that transforms Sienna Shaw into a legitimate hero. While the trademark "blood and guts" remain, Leone uses the Christmas setting to frame a classic morality tale of pure good versus ultimate evil, complete with bold religious imagery.

"Damien Leone could have just been content with masked-killer-slayer-film-tributes. But he clearly has something worthwhile to say now about enduring the trials of evil and the benefits of redemptive suffering."

— Ray Manukay

🎬 Cast & Crew

• Director/Writer: Damien Leone
• Starring: Lauren LaVera (Sienna), David Howard Thornton (Art the Clown)
• Key Supporting: Samantha Scaffidi (Victoria), Daniel Roebuck (Santa)
• Budget: $2 Million (independently financed)

The Vision

The film is a fascinating development that incorporates "comic book elements" and explicit religious allegories, such as Sienna wearing a crown of thorns while battling Art. Leone's decision to keep the production independent allowed him to maintain an uncompromising vision that a major studio would likely have censored. It is a high-stakes gamble that risks turning off pure slasher fans by instilling a clear morality, yet it paves the way for a potentially special conclusion to the franchise.

🎬 Cinephile Fun Facts

• Legendary Help: Makeup icon John Caglione Jr. (The Joker in The Dark Knight) worked on this film after being a fan of the first two.
• Box Office History: It became the highest-grossing unrated film of all time, earning over $90 million worldwide.
• Physical Reaction: The UK premiere reportedly had staff handing out barf bags, with multiple reports of audience members fainting or walking out.
• Literary Nod: A character is seen reading a book titled "The 9th Circle," a reference to Art’s first appearance in Leone's short film of the same name.

✅ Pros

• Sienna Shaw's development into a powerful, deep hero.
• Masterclass in creative practical special effects.
• Compelling introduction of supernatural and religious lore.

❌ Cons

• Extreme "gross out" violence can be grueling.
• Story beats remain incremental and "to be continued".
• Religious messaging might alienate some core slasher fans.

🏆 Final Verdict

A relentless, industrial-strength slasher that successfully pivots into mythic territory. Terrifier 3 proves that mayhem and murder can actually mean something when backed by an ambitious vision.

View original review on Letterboxd

A Different Man

A Different Man

A Darkly Comic Exploration of Identity and the "Cure"

★★★½☆

An unconventional morality tale that finds the sweet spot between black comedy and dramatic realism.

Directed by Aaron Schimberg, A Different Man is a thought-provoking deconstruction of the "be careful what you wish for" trope. The plot follows Edward (Sebastian Stan), a man with neurofibromatosis who undergoes an experimental procedure to transform his appearance. While the film shares thematic DNA with the body-horror of The Substance, it avoids grotesque extremes in favor of an ironic, surreal look at how our insecurities often run deeper than the skin. The addition of the charismatic Oswald (Adam Pearson) creates a fascinating contrast that hammers home the idea that happiness is truly in the eye of the beholder.

"Of course life doesn't really give a happily-ever-after like it does in fairy tales. And the so called cure reveals the real underlying issues in his life as well as creating new challenges."

— Ray Manukay

🎬 Cast & Crew

• Director/Writer: Aaron Schimberg
• Starring: Sebastian Stan, Renate Reinsve, Adam Pearson
• Studio: A24
• Runtime: 112 minutes

The Vision

Director Aaron Schimberg, who was born with a cleft palate, brings a deeply personal perspective to this exploration of facial difference and representation. By casting Adam Pearson, who has neurofibromatosis in real life, alongside Sebastian Stan in prosthetics, Schimberg interrogates the optics of disability in cinema. The film masterfully balances its "dark comedy" roots with a "dramatic realism" that keeps the plot from going entirely off the rails, even during its more surreal and ironic developments.

🎬 Cinephile Fun Facts

• Award-Winning Performance: Sebastian Stan won the **Silver Bear for Best Leading Performance** at the Berlin International Film Festival for this role.
• Personal Touch: A photo seen in Edward's apartment is actually a real-life picture of Sebastian Stan and his mother.
• Fast Filming: Despite its complex themes, the movie was shot in just **22 days** in New York City.
• Critical Darling: The film won **Best Feature** at the 2024 Gotham Awards, pulling an upset over the highly favored *Anora*.

✅ Pros

• Powerhouse, award-winning lead from Sebastian Stan.
• Adam Pearson's magnetic and charismatic presence.
• Smart, unconventional script that avoids clichés.

❌ Cons

• Final act developments may feel jarringly surreal for some.
• Tends toward "dark and cynical" tones that aren't for everyone.
• Shares some "unsettling" territory with body-horror peers.

🏆 Final Verdict

A brilliantly acted, wickedly funny look at self-perception. It proves that changing your face is easy, but escaping yourself is the real challenge.

View original review on Letterboxd

Alien Romulus

Alien: Romulus

A Visceral, Nostalgic Interquel That Honors the Roots

★★★☆☆

A game attempt at re-invigoration that succeeds in craft but stumbles on franchise tropes.

Directed by horror maestro Fede Álvarez, Alien: Romulus attempts to bridge the gap between the original 1979 masterpiece and its action-heavy 1986 sequel. The film is aesthetically handsome, utilizing physical sets and practical effects to capture the "oil rig in space" grit of the first entry. While Cailee Spaeny delivers a charismatic performance as Rain Carradine, the film struggles to make us care for the rest of the "dead meat" crew. It hits high notes with innovative set pieces, but occasionally feels weighed down by the "tired and worn out" tropes of a 45-year-old franchise.

"Alvarez really succeeds by elevating the material with his new concepts... Stand out moments include a zero gravity action sequence and a truly disturbing third act nemesis that will legitimately give some viewers nightmares."

— Ray Manukay

🎬 Cast & Crew

• Director: Fede Álvarez
• Starring: Cailee Spaeny, David Jonsson, Archie Renaux
• Cinematography: Galo Olivares
• Production Design: Naaman Marshall

The Vision

Álvarez leans heavily into "technological production design" and practical craftsmanship, even seeking out crew members from the original Aliens to ground the VFX. The film’s "zero-g" blood-combat sequence and the introduction of a new cross-species abomination prove there is still "mileage left in these monsters." However, the reliance on familiar chest-bursting shocks and "classic lines" keeps the film from reaching a "truly special" status, serving more as a high-quality tribute than a total reinvention.

🎬 Cinephile Fun Facts

• Practical Nightmares: The terrifying "Offspring" in the final act was played by 7'7" Romanian basketball player **Robert Bobroczkyi** in a suit.
• Gaming Influence: Álvarez included "Emergency" save phones as an Easter egg to the 2014 game *Alien: Isolation*, which he used as a tonal reference point.
• Legacy Consult: Both **Ridley Scott** and **James Cameron** were consulted during production and gave the film their approval.
• Timeline Fix: The film is an "interquel," taking place in 2142—exactly 20 years after the original *Alien* and 37 years before *Aliens*.

✅ Pros

• Innovative Zero-G action choreography.
• Stunning, practical creature and production design.
• A "truly disturbing" and memorable third-act climax.

❌ Cons

• "Tired and worn out" franchise tropes.
• Supporting characters feel like "collective dead meat."
• Lacks the "shock value" of earlier entries.

🏆 Final Verdict

A handsomely crafted return to form that serves as a visceral bridge for the franchise. It’s an effective horror experience that just needs a bit more soul in its secondary characters.

View original review on Letterboxd

Terrifier 2

Terrifier 2

An Overstuffed, Brutal Marathon of Practical Gore

★★½☆☆

A grueling endurance test of realistic effects that struggles under a massive runtime.

Art the Clown returns in a sequel that leans heavily into supernatural lore, involving mystical swords and a demonic "Little Pale Girl." While director Damien Leone (again, often cited as Lewis) attempts to inject narrative prestige with a massive 138-minute runtime, the film mostly serves as a canvas for "top-notch" morbid and brutal special effects. The introduction of Lauren LaVera as Sienna provides an intriguing anchor to the carnage, but the experience ultimately feels like it’s missing the energy of a "midnight movie" crowd to truly land its grotesque appeal.

"The truth is most horror fans probably just want to fast forward all the story stuff just to get to the gory parts to analyze and dissect the special effects. As for my excuse, I wanted to complete part 2 to get to the viral much buzzed about part 3."

— Ray Manukay

🎬 Cast & Crew

• Director/Writer/Editor: Damien Leone
• Starring: Lauren LaVera, David Howard Thornton, Elliott Fullam
• Runtime: 2h 18m
• Genre: Supernatural Slasher / Splatter

The Vision

Leone expands the Terrifier universe by transitioning Art from a human killer to a demonic entity with "unique torture porn" sequences that push the boundaries of the genre. By centering the story on Sienna, Leone creates a "franchise heroine" who can match Art's visceral presence. However, the film's "ridiculous" length risks alienating those who aren't specifically there to analyze the technical artistry of the "grotesque dismantling" of the human form.

🎬 Cinephile Fun Facts

• Crowdfunded Success: The film's $250,000 budget was largely raised via Indiegogo, proving the massive underground following of the franchise.
• Sienna's Design: The protagonist's iconic "Valkyrie" costume was designed by Damien Leone himself and hand-crafted by Lauren LaVera.
• Viral Phenomenon: The film became a sleeper hit after reports of audience members vomiting and fainting in theaters went viral.
• The Bedroom Scene: The film's most infamous sequence reportedly took over a week to film due to the complexity of the practical effects.

✅ Pros

• Lauren LaVera's breakout performance as Sienna.
• Industry-leading practical gore and special effects.
• Elevates the "Art the Clown" mythos into something bigger.

❌ Cons

• Exceedingly long "ridiculous" runtime.
• Story beats can feel like filler between kills.
• Tough to recommend for anyone but hardcore gore-hounds.

🏆 Final Verdict

A technical triumph for practical effects fans that overstays its welcome narrative-wise. It is a mandatory, if exhausting, bridge to the superior third chapter.

View original review on Letterboxd

A Real Pain

A Real Pain

An Eccentric, Neurotic, and Sincere Family Reckoning

★★★½☆

A deeply personal work where the humor is awkward, the history is heavy, and the chemistry is undeniable.

Written and directed by Jesse Eisenberg, A Real Pain follows two cousins as they navigate a Holocaust tour in Poland to honor their late grandmother. The film is a pure distillation of Eisenberg's specific sensibilities, likely representing two halves of his own personality through the leads. While Kieran Culkin dominates the screen as the manic, unpredictable Benji, Eisenberg plays the "tortured anchor," absorbing the whirlwind energy of his co-star. It is a film that successfully balances eccentric humor with the "purposely awkward atmosphere" of its historical backdrop.

"The strength of the piece is the sincere, truthful, interactions between Eisenberg and Culkin who have excellent chemistry together. One can picture them doing several projects together in the future."

— Ray Manukay

🎬 Cast & Crew

• Director/Writer: Jesse Eisenberg
• Starring: Kieran Culkin, Jesse Eisenberg, Jennifer Grey
• Runtime: 90 minutes
• Studio: Searchlight Pictures

The Vision

Eisenberg’s fingerprints are all over this production, which draws heavily from his own family history and neurotic comedic style. The film aims to explore inherited trauma without losing its "eccentric tone," utilizing the shared history of its protagonists to ground the more "showier" comedic moments. It marks a sophisticated evolution for Eisenberg as a filmmaker, focusing on the "truthful interactions" that make a small-scale character study feel like a significant acting milestone.

🎬 Cinephile Fun Facts

• Sundance Hit: The film won the **Waldo Salt Screenwriting Award** at the 2024 Sundance Film Festival.
• Real Locations: Many scenes were filmed at actual historic sites in Poland, including the Majdanek concentration camp, to maintain authenticity.
• Jennifer Grey's Return: This film features a prominent supporting role for Jennifer Grey (*Dirty Dancing*), marking a rare and acclaimed return to the big screen.
• Family Connection: Eisenberg's real-life family roots are in the Krasnystaw region of Poland, which informs the specific geography of the trip.

✅ Pros

• Kieran Culkin's electric, award-worthy performance.
• Exceptional chemistry between the two lead actors.
• Sincere and truthful handling of heavy themes.

❌ Cons

• Eisenberg's "eccentric tone" might miss the mark for some.
• Purposely awkward atmosphere can be uncomfortable.
• Eisenberg’s role can feel "thankless" compared to Culkin’s.

🏆 Final Verdict

A poignant, funny, and deeply human road trip that thrives on the tension between its leads. A must-watch for those who appreciate character-driven drama with a neurotic edge.

View original review on Letterboxd

Mikey and Nicky

 

Mikey and Nicky (1976)

A Masterful, Multi-Layered Study of Lifelong Friendship

★★★★☆

Watched 30 Dec 2024 — A complex work of art hidden in a simple package, exploring the intimacy and rivalry of a desperate night.

Directed by the visionary Elaine May, Mikey and Nicky is a legitimate classic that finally escaped its early reputation as a commercial disappointment. The plot follows Nicky (John Cassavetes), a man in deep trouble with the mob, who turns to his childhood friend Mikey (Peter Falk) for salvation. As they stumble through a singular, grueling night, their shared history is laid bare—revealing the trust, distrust, and deep-seated wounds of a lifelong bond. It is a fascinating look at how relationships evolve, anchored by two actors operating at the absolute peak of their powers.

"The complexity and layers between the two friends is palpable and yet strangely familiar... One could spend hours unpacking the symbolism and meaning of many of the strong scenes."

— Ray Manukay

🎬 Cast & Crew

• Director/Writer: Elaine May
• Starring: Peter Falk, John Cassavetes
• Supporting: Ned Beatty, Rose Arrick, Carol Grace
• Studio: Paramount Pictures Restored by The Criterion Collection)

The Vision

May’s script and direction benefit immensely from the real-life friendship between Cassavetes and Falk. She presents a "gamut of emotions" through meaningful looks and unspoken history that only true friends could interpret. Her vision is one of raw intimacy; she rejects the polished tropes of the "mob thriller" to focus on the human rivalry and sympathy beneath the surface. It is a film that rewards repeat viewings, offering new treasures as the viewer’s own emotional maturity evolves, proving that May’s "seemingly simple package" is actually a masterful, enduring work of critical acclaim.

🎬 Cinephile Fun Facts

• Real-Life Duo: Falk and Cassavetes were best friends in reality, often appearing in each other’s projects (most notably in Cassavetes' *Husbands* and Falk's *Columbo*).
• Production Perfectionist: Elaine May reportedly shot [over 1.4 million feet of film](https://en.wikipedia.org), leaving cameras running for hours to capture the most naturalistic interactions possible between the leads.
• Post-Production Battle: The film's release was delayed for years because May hid the reels from Paramount to prevent them from taking the film away and editing it themselves.

✅ Pros

• Peerless chemistry between Peter Falk and John Cassavetes.
• Exceptional, multi-layered script by Elaine May.
• High replay value; matures with the viewer.

❌ Cons

• Deliberately uncomfortable and emotionally grueling tone.
• Pacing is gritty and realistic rather than "action-packed."
• Characters are deeply flawed and often difficult to like.

🏆 Final Verdict

A masterpiece of character study that has finally claimed its rightful place in cinematic history. Whether you’re watching it for the first time or the tenth, its exploration of the "pain and trust" in friendship remains unmatched.

View on Letterboxd

Juror #3

Juror #2

A Sincere, Dialogue-Heavy Tribute to the Courtroom Classic

★★★½☆

A dramatic moral dilemma that thrives on top-notch performances despite a minimalist visual tone.

Directed by the legendary Clint Eastwood, Juror #2 serves as an intriguing variation on the 12 Angry Men blueprint. The film follows a high-stakes jury room where the protagonist, played by a riveting Nicholas Hoult, faces extenuating moral circumstances that go far beyond standard procedural tropes. While the script is a legitimate level above typical TV dramas, Eastwood’s signature "two takes or less" minimalist style gives the production a bare-bones aesthetic that occasionally feels like a high-end network movie.

"What makes Juror #2 more interesting than the standard jury story, is the variation on the genre... the jury manipulation callbacks to 12 Angry Men is given a different refreshing perspective when viewed through this new alternative prism."

— Ray Manukay

🎬 Cast & Crew

• Director: Clint Eastwood
• Starring: Nicholas Hoult, Toni Collette, J.K. Simmons
• Screenplay: Jonathan Abrams
• Genre: Legal Thriller / Procedural

The Vision

The project carries the prestige of an Eastwood production, featuring an A-list cast with "fascinating inner lives." The narrative leans heavily on dialogue, favoring theatrical tension over cinematic visual flair. While this "minimalist look" can be seen as a downside for those seeking high-end cinematography, it allows the "riveting" acting to remain the absolute focus. It’s a sincere tribute that refuses to acknowledge its obvious inspirations, much like how zombies are treated in The Walking Dead.

🎬 Cinephile Fun Facts

• Legendary Longevity: This film was released when Clint Eastwood was **94 years old**, marking one of the oldest active directorial efforts in Hollywood history.
• Savannah Setting: Much of the film was shot on location in **Savannah, Georgia**, utilizing its unique legal district for authenticity.
• The "One-Take" King: True to the review, Eastwood is famous for moving so fast that he often finishes filming days or weeks ahead of schedule.
• Critical Support: Despite a limited theatrical release by Warner Bros., the film received some of the strongest critical reviews of Eastwood's late-career period.

✅ Pros

• Riveting, award-worthy performance by Nicholas Hoult.
• Strong, dialogue-heavy script with deep moral weight.
• Fascinating, refreshing twist on the jury room genre.

❌ Cons

• "Bare bones" visual tone lacks cinematic flair.
• Can feel like a "high-end network TV movie" at times.
• May fall short of major award consideration due to its speed.

🏆 Final Verdict

A compelling moral thriller that proves the legal procedural still has mileage. If you value performance and dialogue over visual spectacle, this is a top-tier courtroom entry.

View original review on Letterboxd

The Private Life of Sherlock Holmes

 

The Private Life of Sherlock Holmes (1970)

A Handsome, Vintage Mystery with Old-School Charm

★★★☆☆

Watched 20 Dec 2024 — A cerebral, dialogue-heavy production that feels like a lost gem from the Golden Age of Hollywood.

Directed by master storyteller Billy Wilder, The Private Life of Sherlock Holmes is an old-fashioned mystery comedy that radiates vintage appeal. While released in 1970, the film’s structure and dialogue-heavy script feel more akin to a 1950s black-and-white classic. It is a handsome, well-made production boasting outstanding production design and colorful vistas. Though it lacks the visceral action sequences found in modern adaptations like Guy Ritchie’s or the BBC's Sherlock, it offers a solid, cerebral anchor in Robert Stephens' performance as the title character.

"The script especially feels vintage as it is a little too heavy on the dialogue, even for a Sherlock Holmes story. It feels less like a 70's film and more like a 50's black and white film."

— Ray Manukay

🎬 Cast & Crew

• Director: Billy Wilder
• Starring: Robert Stephens, Colin Blakely
• Supporting: Christopher Lee (Mycroft Holmes), Geneviève Page
• Music: Miklós Rózsa

The Vision

Wilder’s vision was to humanize the detective, peeling back the layers of his "private life" with wit and humor. The film prioritizes cerebral deduction over kinetic thrills, resulting in a tier of Wilder’s filmography that, while not reaching the iconic status of Some Like It Hot, remains highly respectable. Unfortunately, the vision was compromised by studio intervention; the film was heavily truncated from a three-hour epic to two hours, leaving two entire mystery cases on the cutting room floor—a true "cinematic tragedy" for aficionados.

🎬 Cinephile Fun Facts

• The Lost Footage: The original roadshow version included segments like "The Dreadful Business of the Naked Honeymooners," but the [deleted footage](https://en.wikipedia.org) remains largely lost or exists only as silent clips.
• Christopher Lee's Holmes Hat-Trick: Christopher Lee is one of the few actors to play both Sherlock (in other films) and [Mycroft Holmes](https://www.imdb.com).
• Nessie Mystery: The film features a unique sub-plot involving the Loch Ness Monster, showcasing the film's blend of Sherlockian lore and Wilder’s whimsical imagination.

✅ Pros

• Outstanding production design and beautiful visuals.
• Solid, memorable performances from the central trio.
• Charming, "old school" Golden Age atmosphere.

❌ Cons

• Pacing issues and a lack of cinematic action.
• Feels "terribly truncated" with an abrupt ending.
• Dialogue-heavy script may feel dated to modern audiences.

🏆 Final Verdict

A solid, high-tier adaptation that belongs in the library of any Sherlock fan. It’s the perfect "blanket and fireplace" movie for a chilly night when you crave a mystery with heart and vintage style.

View on Letterboxd

Anora

Anora

A Kinetic, Star-Making Triumph for Sean Baker

★★★★☆

A visceral runaway train of spontaneity, heart, and legitimate danger.

Anora is the latest film from Sean Baker, the director behind The Florida Project and Red Rocket. Known for exploring the gritty fringes of society, Baker has finally found a sweet spot between his untraditional vision and mainstream comedic appeal. The story follows a sex worker who charms her way into the heart (and wallet) of a wealthy client, only for the romance to spiral into a chaotic, award-winning misadventure.

"The movie never feels insincere, even as it spirals into comedic misadventure. It’s a visceral runaway train."

— Ray Maukay

🎬 Cast & Crew

• Director/Writer: Sean Baker
• Starring: Mikey Madison, Yuriy Borisov, Mark Eydelshteyn
• Accolade: Palme d'Or Winner (Cannes 2024)

The Vision

Baker continues to explore marginalized lifestyles but trades the "need-a-shower" discomfort of his previous work for a kinetic, passionate energy. The film balances genuine laugh-out-loud scenes with sincere, heartfelt moments, anchored by a star-making performance from Mikey Madison. It is a cinematic triumph that proves Baker can maintain his unique voice while capturing a wider audience.

🎬 Cinephile Fun Facts

• Cannes History: Anora is the first American film to win the Palme d'Or since 2011's The Tree of Life.
• 35mm Aesthetic: Like most of Baker's work, the film was shot on 35mm to preserve that specific, tactile indie texture.
• The Madison Prep: Mikey Madison learned to speak Russian and spent months researching the Brooklyn nightlife to ground her performance.

✅ Pros

• A star-making, powerhouse performance by Mikey Madison.
• Perfectly balances high-stakes tension with laugh-out-loud comedy.
• Maintains Baker’s authentic "fringe" voice with high-energy pacing.

❌ Cons

• The frantic pace might be overwhelming for viewers seeking a quieter drama.

🏆 Final Verdict

Anora is a legitimate awards-season darling and a lock for Academy Award nominations. It marks the moment Sean Baker transitioned from indie auteur to a major cinematic force without losing an ounce of his edge.

View on Letterboxd

Violent Night

Violent Night (2022)

Action-Oriented Christmas Spirit with a Body Count

★★★☆☆

Watched 18 Dec 2024 — A welcome, ultra-violent counter-programming to holiday schmaltz that packs a surprising amount of heart.

Directed by Tommy Wirkola, Violent Night leans into the "Is Die Hard a Christmas movie?" debate by delivering a morbidly funny, high-octane holiday slasher. David Harbour plays a grumpy, lethal Santa Claus who finds himself defending a wealthy family from mercenaries. While the premise is wild and occasionally offensive, the film succeeds by not taking itself seriously. It balances an impressive body count and unique kills with genuine "Christmas story heart," largely thanks to the innocent childhood charms of Leah Brady. It is a runaway train of silly, bloody holiday fun.

"It's not only just blood and gore, Violent Night also delivers some action-oriented Christmas spirit... Only a scrooge would not be moved by the innocent childhood charms of Leah Brady."

— Ray Manukay

🎬 Cast & Crew

• Director: Tommy Wirkola
• Starring: David Harbour, John Leguizamo, Leah Brady
• Supporting: Alex Hassell, Alexis Louder, Beverly D'Angelo
• Studio: Universal Pictures

The Vision

Wirkola’s vision is unapologetically "after-hours" holiday entertainment. He creates a world where magical realism meets John Wick-style choreography, specifically designed for audiences tired of the repetitive Christmas movie catalog. The directorial focus is on "crowd-pleasing unique kills" and visceral action, but it wisely anchors the mayhem in the relationship between Santa and a young believer. It’s a film that knows exactly what it is: a violent, festive spectacle that replaces schmaltz with adrenaline and coal-fueled vengeance.

🎬 Cinephile Fun Facts

• Home Alone Homage: The film features a brutal, R-rated tribute to the booby traps from [Home Alone](https://www.imdb.com), showing what those injuries would actually look like in reality.
• Harbour's Training: [David Harbour](https://www.imdb.com) underwent extensive combat training to perform many of his own stunts, bringing a "heavy-hitter" physicality to Saint Nick.
• Die Hard Roots: The screenwriters explicitly set out to create a film that would sit alongside [Die Hard](https://www.imdb.com) and *Lethal Weapon* as an alternative Christmas classic.

✅ Pros

• Crowd-pleasing action and unique, creative kills.
• David Harbour is perfectly cast as a lethal, grumpy Santa.
• Surprising emotional core and genuine holiday spirit.

❌ Cons

• Gets "runaway train silly" at certain points.
• Premise may be slightly offensive to traditionalists.
• Definitely not suitable for younger children or toddlers.

🏆 Final Verdict

A festive, blood-soaked riot that’s perfect for late-night viewing after the kids are asleep. It’s silly, violent, and surprisingly sweet—a must-watch for anyone who prefers their Christmas spirit with a side of mayhem.

View on Letterboxd

Sing Sing

Sing Sing

The Transformative Power of Hope in the Darkest Places

★★★½☆

A soul-affirming celebration of art that negates cynicism through its sheer authenticity.

Directed by Greg Kwedar, Sing Sing explores the healing potential of the Rehabilitation Through Arts (RTA) program within a high-security prison. The film's primary strength lies in its cast, which features actual formerly incarcerated RTA participants alongside professional actors. While Colman Domingo anchors the piece as the inspirational Divine G, it is the raw, touching performance of Clarence Maclin that truly stands out. Though it may not hit every emotional peak expected from award-season buzz, its existence as a testament to the redemptive power of creativity is undeniable.

"I'm just grateful that Sing Sing is around for future generations to experience and the film will continue to illustrate the message of how hope and art can save a soul and transform and inspire a person's humanity."

— Ray Manukay

🎬 Cast & Crew

• Director: Greg Kwedar
• Starring: Colman Domingo, Clarence Maclin, Paul Raci
• Program: Rehabilitation Through Arts (RTA)
• Format: Shot on 16mm film

The Vision

The film prioritizes authenticity over Hollywood polish by featuring real-life participants as themselves or versions of themselves. This choice transforms the narrative from a standard "prison movie" into a living document of personal transformation. Kwedar’s direction focuses on the intimacy of the rehearsals, illustrating how art can save a soul even in "soul-crushing" environments. It is a work that values the human spirit above narrative perfection.

🎬 Cinephile Fun Facts

• Authenticity First: About 85% of the cast are alumni of the real-life RTA program at Sing Sing Correctional Facility.
• Clarence Maclin: Maclin plays a version of himself in the film, portraying the same journey he took while incarcerated in the mid-2000s.
• A24 Acquired: The film was a major breakout at the Toronto International Film Festival, leading to a high-profile acquisition by A24.
• Colman's Commitment: Colman Domingo spent significant time working with the RTA alumni to ensure the professional and non-professional actors felt like a unified ensemble.

✅ Pros

• Powerhouse performance by Colman Domingo.
• Unmatched authenticity using real RTA participants.
• Profoundly hopeful and redemptive message.

❌ Cons

• May fall short of some "emotional moving heights."
• Pacing is deliberate and character-focused.
• Might feel less "cinematic" than traditional prison epics.

🏆 Final Verdict

A film that transcends criticism through its commitment to truth. Sing Sing is an essential watch for anyone who believes in the restorative power of the human imagination.

View original review on Letterboxd

Megalopolis

Megalopolis

An Audacious, Unwieldy Middle Finger to Convention

★★★☆☆

A bold artistic reach that unabashedly exceeds its master director's grasp.

Directed by the legendary Francis Ford Coppola, Megalopolis is an unconventional amalgamation of genres, historical periods, and visual sensibilities. It represents a radical departure from the grounded realism of The Godfather or Patton, serving instead as an obscure, non-traditional art piece. While it is wildly excessive and often confusingly frivolous, there is something undeniably admirable about its ambition. It functions as a massive rejection of "safe, cardboard cutout narratives," even if it struggles to find a cohesive emotional heart amid its sprawling metaphors.

"Megalopolis feels like a big f**k you to mainstream commercial, conventional, safe, cardboard cutout narratives and works. In that sense it works."

— Ray Manukay

🎬 Cast & Crew

• Director/Writer: Francis Ford Coppola
• Starring: Adam Driver, Giancarlo Esposito, Nathalie Emmanuel, Aubrey Plaza
• Inspiration: The Catiline Conspiracy / Ancient Rome
• Production: Independently financed ($120M+)

The Vision

Coppola seemingly trades his legacy as a mainstream storyteller for the freedom of an indie darling, coloring outside the lines of studio expectations. The film utilizes symbolism and intellectual quotes (like those of Marcus Aurelius) to build an ethereal, non-descript world. It demands to be "absorbed and experienced" rather than dissected for narrative logic. The final act, though clumsy and hurried, cements the film's status as a polarizing experiment that prioritizes artistic impulse over popular audience satisfaction.

🎬 Cinephile Fun Facts

• Self-Funded: Coppola famously sold a significant portion of his **winery empire** to personally finance the $120 million budget.
• Decades in the Making: The director began writing the screenplay for *Megalopolis* in the early 1980s.
• Live Cinema: Early theatrical screenings featured a **live actor** who walked onto the stage to interact with Adam Driver's character on screen.
• A Notable Cameo: The film features Dustin Hoffman, marking a rare collaboration between the two New Hollywood icons.

✅ Pros

• Stunningly ambitious and visually unique.
• A brave, uncompromising rejection of formulaic cinema.
• All actors are fully "game" for the ethereal concept.

❌ Cons

• Lacks a central emotional heart to move the audience.
• Narratively unwieldy and "awkwardly all over the place."
• Final act feels hurried and almost like a parody.

🏆 Final Verdict

A fascinating, flawed masterpiece of excess. Whether it crashes or soars, it is a testament to the fact that one of cinema's greatest is still willing to risk everything for a vision.

View original review on Letterboxd